<everything_is_unreal>
<glitch>

I began with a song.

​

What started as a piece of music expanded into an installation and performance environment exploring identity as a mediated signal, continuously transmitted, interrupted, distorted, and reassembled.

​

Everything Is Unreal, It's a Glitch examines the unstable relationship between the body, memory, and technology. Across moving image, sound, projection, sculpture, and performance, the body attempts to emerge from systems that cannot fully render it. Images fragment into static. Voices collapse into feedback. Presence appears only to dissolve into interference and noise.

​

The glitch functions not as a technological error, but as a condition of existence. It reveals the gap between lived experience and the structures that attempt to capture, classify, and represent it. Within that rupture, alternative forms of identity become possible, fluid, fragmented, and resistant to resolution.

​

Drawing from queer experience, digital culture, and the instability of memory, the work treats the self not as a fixed entity but as an accumulation of traces, transmissions, and distortions. The body becomes a signal moving through networks of language, image, and technology, always in the process of becoming something else.

​

Projections flicker across bodies, collapsing distinctions between who we are, who we imagine ourselves to be, and who others perceive us to be. The work considers the narratives we inherit, perform, project, and reconstruct, asking where authenticity resides when experience is increasingly mediated through images, systems, and screens.

​

Everything Is Unreal, It's a Glitch inhabits the space between signal and noise, where meaning flickers, disappears, and returns transformed.